Explore Day of the Dead 探索亡靈節: Selected Resources 精選資源

Disney presents ; a Pixar Animation Studios film ; original story by Lee Unkrich, Jason Katz, Matthew Aldrich, Adrian Molina ; screenplay by Adrian Molina, Matthew Aldrich ; produced by Darla K. Anderson ; co-directed by Adrian Molina ; directed by Lee Unkrich

Beneath our differences, we are all the same — or as famed Mexican printmaker and creator of the symbolic La Catrina, José Guadalupe Posada, once said, "Todos somos calaveras" — "we are all skeletons."
Join Beautiful Destinations creators Cory Martin and Arman Mitchell as they explore the city of Oaxaca, Mexico during Dia de los Muertos, a three-day celebration dedicated to remembering the lives of those who've passed and to support them on their spiritual journey; it's a time to celebrate life, not mourn the loss of it. Have you celebrated life today?

Día de los Muertos, or Day of the Dead, is a celebration of life and death. While the holiday originated in Mexico, it is celebrated all over Latin America with colorful calaveras (skulls) and calacas (skeletons). Learn how the Day of the Dead started and the traditions that make it unique.

This article examines Mazatec Day of the Dead music, a popular musical form featuring lyrics in the indigenous Mexican language Mazatec, which has become popular online and off, with some practitioners even dreaming of global prominence. I use the tension between musical aspirations and apathy to illuminate how the creation of "world musics" and other popular forms depends on unstable recalibrations of scale, including "shrinking" tendencies when aimed at particular local audiences. Ultimately, I suggest the shifting dynamics of scale is a key vehicle through which competing frames of belonging become expressed.

This article analyzes the origin and meaning of artistic representations of death-principally skulls and skeletons-in Mexico's Day of the Dead. It challenges stereotypes of the death-obsessed Mexican by tracing mortuary imagery in the Day of the Dead to Two separate artistic developments, the first deriving from religious and demographic imperatives of colonial times, the second from nineteenth-century politics and journalism. Now generally perceived as belonging to a single, undifferentiated iconographic tradition, cranial and skeletal images of death have become virtually synonymous with Mexico itself.

中國的清明節和墨西哥亡靈節雖節日時間不同、地域有別,但兩國的節日文化既有不同點也有相似之處:中國的清明節歷史悠久,有著深厚的文化積淀:追思先人,感恩懷遠;勿忘生者,幸福明天是其節日文化寓意之所在;而墨西哥亡靈節歷史演變復雜,雖經改良,但仍帶有濃厚的墨西哥土著居民阿茲特克人祭奠亡靈、感恩亡靈、崇拜亡靈的節日狂歡文化,"逝者在棺,生者狂歡"是其節日文化的形象描述。本文從兩國節日之歷史沿革、節日外延、節日意義及節日內涵四個方面進行了深層異同分析。

亡靈節是墨西哥的傳統節日,有著悠久的歷史和旺盛的生命力,其主旨在於祭奠逝者.本文旨在介紹墨西哥亡靈節,探討其中包含的墨西哥人的生死觀.

動畫電影《尋夢環游記》融入了大量的墨西哥本土民族元素。影片把墨西哥獨特的民族文化傳播給受眾。影片通過傳統節日講述民族特色故事、通過故事細節表現民族文化特色、通過音樂旋律表現墨西哥民族風情,把傳統節日、故事細節、音樂旋律與墨西哥的民族文化融合在一起,向世界受眾展示了墨西哥民族的文化魅力。